Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
James Hayes, Ode to the ʻōʻō, 2022, audio, 7 min 12 sec
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
James Hayes, Ode to the ʻōʻō, 2022, audio, 7 min 12 sec
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
Mikala Dwyer, Pigeon, 2022 and James Hayes, Ode to the ʻōʻō, 2022 | Still Life, Buxton Contemporary, Melbourne
James Hayes, Ode to the ʻōʻō, 2022, audio, 7 min 12 sec
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